Senin, 22 Juli 2013

[P823.Ebook] Free Ebook Designing Books: Practice and Theory:, by Jost Hochuli

Free Ebook Designing Books: Practice and Theory:, by Jost Hochuli

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Designing Books: Practice and Theory:, by Jost Hochuli

Designing Books: Practice and Theory:, by Jost Hochuli



Designing Books: Practice and Theory:, by Jost Hochuli

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Designing Books: Practice and Theory:, by Jost Hochuli

This book has three parts. In the first two, basic principles in the theory and practice of book design are discussed. The third part then shows how the ideas of the first and second parts have been applied in particular examples. 'Book design as a school of thought' was originally delivered (in German) as a lecture and published as a pamphlet, in 1991. This is its first publication in English. 'Designing books' was published as a separate booklet by Agfa (Wilmington, Mass.) in 1989, in German. Translation into several other languages followed, including an English edition (1990): all long out of print. The version published here has been revised and considerably augmented with new illustrations. The third part, 'Books designed by Jost Hochuli', is completely new. Here Robin Kinross comments on 27 of Hochuli's works. Both authors are internationally known, Kinross more as critic and historian, Hochuli above all as a practitioner. In this book they offer a serious introduction to book design, free of ideological dogma. Short and concise, it contains a rich, painstakingly selected fund of illustrations.

  • Sales Rank: #1989089 in Books
  • Published on: 1997-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.00" h x 1.00" w x 1.00" l,
  • Binding: Hardcover
  • 168 pages

About the Author
Robin Kinross is Publisher of Hyphen Press. He lives in London.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Dogma/No Dogma, is still Dogma (but this is post post modernisn, so who cares?)
By Tae W. Moon
Regardless of what the authors write about, whether symmetrical or asymmetrical design should be used and when, it is, in my opinion, complete and with illustrations. This book was, I believe, to give courage and to inspire the book designer, to introduce a new idea (that the spine is the central axis and not the page itself) and to ask the reader(s) to contemplate. I do find the cover lovely as both symmetry and asymmetry is used to show that both work together and in contrast.

0 of 0 people found the following review helpful.
Good.
By Park Chan shin
I'm really happy to get this book in such a good condition.
Personally, hardcover is better than paperback version. :)

37 of 39 people found the following review helpful.
A Picturebook of Typography / Design
By TerminusDad
As indicated by the review above, the book is divided up into three sections that tackle the history, methods, and styles of book design. The title, "Designing Books," may sound like a technical reference, but it's not. The book should have been named "Book Designs," for it is more a picturebook of illustrations and typography from books of poetry, novels, brochures, art books, and other publications.
The author does cover Swiss grid design, proportions of text areas and margins, and the differences between asymmetrical and symmetrical design theories. It is perhaps this historical reference of asymmetrical and symmetrical styles that make this book worth having. It presents intelligent comparisons of both theories, the history behind each movement, and the cultural stereotypes attached to each. Case in point, Jan Tschichold's groundbreaking work in asymmetrical design / book layout, before totally reversing course and becoming one of the great symmetrical designers in his later years.
The author intelligently illustrates the positive and negative aspects of both design theories, without leaning towards either as a preference. The author finds beauty and intrigue in both styles.
To clarify however, the "asymmetrical" theories illustrated here are based on 1960s Swiss/German grid layouts using lots of Univers and white space. This is not a collection of cutting-edge typography or radical design work. The illustrated examples are clean, modest and classic.
A good starting point for those who need a clear entry point into this field, but by no means a reference manual for the experienced.

See all 5 customer reviews...

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